States that American journalism is a class institution serving the rich and spurning the poor. This title likens journalists to prostitutes and the title of the book refers to a chit that was issued to patrons of urban brothels of the era. It presents a critique of the structural basis of US media.
Ranging from Texas to California on a young writer's journey in a car he calls El Chevy, All My Friends Are Going to Be Strangers is one of Larry McMurtry's most vital and entertaining novels.
Danny Deck is on the verge of success as an author when he flees Houston and hurtles unexpectedly into the hearts of three women: a girlfriend who makes him happy but who won't stay, a neighbor as generous as she is lusty, and his pal Emma Horton. It's a wild ride toward literary fame and an uncharted country...beyond everyone he deeply loves. All My Friends Are Going to Be Strangers is a wonderful display of Larry McMurtry's unique gift: his ability to re-create the subtle textures of feelings, the claims of passing time and familiar place, and the rich interlocking swirl of people's lives.
The Irish writer Clare Boylan has been publishing compelling and captivating work for over twenty years. Though she is the author of six critically acclaimed novels, she remains one of the most original and exciting short-story writers of our time. Like Alistair MacLeod, Alice Munro, and her compatriot William Trevor, her stories are universal. Hers is an imagination that is able, magically and marvelously, to transform everyday experience into something quite unexpected.As perceptive as Colette, as darkly witty as Dorothy Parker, she waves a flag for the dispossessed and the marginalized and gleefully pulls love from behind its romantic facade. She makes the reader laugh out loud while at the same time compelling an uncomfortable self-examination. Plumbing the inner workings of marriage, aging, family dynamics, and the cost of love, her richly sardonic humor and acutely merciless observations may seem gentle, but look again, for they are edged with razors.
Celebrating twenty years of rare accomplishment, The Collected Stories introduces American readers to a luminous and unforgettable writer of short fiction.
From the Pulitzer Prize–winning author of Lonesome Dove Larry McMurtry comes the second novel about love and loss on the great plains of Texas. From 1920’s ranching to range cowboys and WWII grief, McMurtry is the undisputed father of the Western literary epic.
Leaving Cheyenne traces the loves of three West Texas characters as they follow that sundown trail: Gideon Fry, the serious rancher; Johnny McCloud, the free-spirited cowhand; and Molly Taylor, the sensitive woman they both love and who bears them each a son. Told in alternating perspectives over sixty years, Leaving Cheyenne follows their dreams, secrets, and grief against a changing American landscape.
Tragic circumstances mark the trail, but fans of McMurtry’s distinctive style will cherish his unforgettable characters and pathos of the American West.
From the Pulitzer Prize–winning author of Lonesome Dove comes the novel that became the basis for the film Hud, starring Paul Newman. In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen.
Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer's young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud's hedonism and materialism.
When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.
Libraries and archives have violated their public trust, argues Nicholson Baker in his controversial book Double Fold, by destroying traditional books, newspapers, and other paper-based collections. Baker's powerful and persuasive book is wrong and misleading, and Cox critiques it point by point, questioning his research, his assumptions, and his arguments about why and how newspapers, books, and other collections are selected and maintained.
Double Fold, which reads like a history of libraries and archives, is not a history at all, but a journalistic account that is often based on fanciful and far-flung assertions and weak data. The present book provides an opportunity to understand how libraries and archives view their societal mandate, the nature of their preservation and documentary functions, and the complex choices and decisions that librarians and archivists face. Libraries and archives are not simple warehouses for the storage of objects to be occasionally called upon by a scholar, but they play vital roles in determining and shaping a society's knowledge and documentation.
A collection of essays on the working of capitalism as a world system, over historical time as well as the contemporary era, focuses on the conflicts between core and periphery and bourgeois and proletarian.
